毕克斯·拜德贝克
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毕克斯·拜德贝克 | |
|---|---|
 1924年的拜德贝克 | |
| 音乐家 | |
| 出生 | 里昂·俾斯麦·拜德贝克 1903年3月10日 |
| 逝世 | 1931年8月6日（28岁） |
| 职业 | 音乐家 作曲家 |
| 音乐类型 | 爵士乐 迪克西兰 |
| 演奏乐器 | 短号、钢琴 |
| 出道地点 |  美国爱荷华州达文波特 |
| 活跃年代 | 1924年－1931年 |
| 唱片公司 | 哥伦比亚唱片 索尼音乐娱乐（SME）唱片 |
| 网站 | www |
毕克斯·拜德贝克（英语：Bix Beiderbecke，1903年3月10日—1931年8月6日），又译毕德贝克、贝德贝克，全名里昂·俾斯麦·拜德贝克（Leon Bismark Beiderbecke），美国爵士短号手、爵士钢琴家和作曲家。
他和路易斯·阿姆斯壮是1920年代乐坛上，数一数二、最具影响力的爵士独奏家。他的作品中，尤以〈Singin' the Blues〉（1927年）和〈I'm Coming, Virginia〉（1927年）最为众所赞叹，淋漓尽致地展现了他异常纯粹的音色和即兴天分。也由于这二首乐曲，他协助创立了爵士谣曲风格，进而促成1950年代冷爵士乐的兴起。他为数极少的钢琴乐曲作品中，唯一留下录音记录的〈In a Mist〉（1927年）则开创性的融合古典元素与爵士切分音风格。拜德贝克启发了众多爵士后辈，如平·克劳斯贝，也经由法兰克·楚鲍尔间接影响了莱斯特·杨。[1]
注释
- ^ 威廉斯（Martin T. Williams）承认：“杨自己将音乐成就大部分归功于楚鲍尔…但我怀疑，一个四处以次中音萨克斯风演奏〈吟唱蓝调〉（Singin' the Blues）的男人，能没有任何一点毕克斯的影子。”（第69页）
参考文献
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外部链接
- 毕克斯·拜德贝克资源：毕克斯传记（英文）
- 毕克斯·拜德贝克资源：一个富创作力的听觉历史论题 – 1971年长一个半小时的电台节目的19个系列录音。包括法兰克·楚鲍尔、路易斯·阿姆斯壮、金·克鲁帕、艾迪·康登、平·克劳斯贝、赫奇·卡尔麦基及拜德贝克的长兄查尔斯·拜德贝克（昵称伯尼）等的访谈（英文）
- 〈达文波特蓝调〉（Davenport Blues） – 拜德贝克首度以个人名义录音的mp3档（英文）
- “毕克斯传记”（摘记） （页面存档备份，存于互联网档案馆），布伦丹·沃尔夫（Brendan Wolfe），Jazz.com （页面存档备份，存于互联网档案馆）（英文）
- 《十二段不可错过的毕克斯·拜德贝克演出纪录》 （页面存档备份，存于互联网档案馆），布伦丹·沃尔夫，Jazz.com （页面存档备份，存于互联网档案馆）（英文）
- The Beiderbecke Affair：布伦丹·沃尔夫所经营、关于拜德贝克的部落格（英文）
