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en:After Laughter / 笑容背後

笑容背後
After Laughter
帕拉摩爾樂團的錄音室專輯
發行日期2017年5月12日
錄製時間2016年6月—2016年11月
錄音室RCA錄音室B（英語：RCA Studio B）（田納西納士維）
類型
時長42:31
唱片公司拉麵工坊
監製
帕拉摩爾樂團專輯年表
The Holiday Sessions（英語：The Holiday Sessions）
（2013年） 		笑容背後
（2017年） 		追根究柢
（2023年）
收錄於《After Laughter》的單曲
  1. Hard Times（英語：Hard Times (Paramore song)）
    發行日期：2017年4月19日
  2. Told You So（英語：Told You So (Paramore song)）
    發行日期：2017年5月3日
  3. Fake Happy（英語：Fake Happy）
    發行日期：2017年8月29日
  4. Rose-Colored Boy（英語：Rose-Colored Boy）
    發行日期：2018年3月2日
  5. Caught in the Middle（英語：Caught in the Middle (Paramore song)）
    發行日期：2018年6月26日

《笑容背後》[1]（英語：After Laughter）是美國搖滾樂團帕拉摩爾樂團的第5張錄音室專輯，由拉麵工坊於2017年5月12日發行，樂團前張專輯為2013年的同名專輯。《笑容背後》由結他手泰勒·約克（英語：Taylor York）和先前的合作者賈斯汀·梅達爾-約翰森（英語：Justin Meldal-Johnsen）森共同製作。該專輯是自扎克·法羅（英語：Zac Farro）回歸（他與哥哥喬什（英語：Josh Farro）於2010年離開樂團）和前低音結他手傑里米·戴維斯（英語：Jeremy Davis）2015年離開樂團以來的首張專輯[2][3]。《笑容背後》完全異於樂團此前的流行龐克和另類搖滾風格，並在歡快和活潑的聲音下，探討疲憊、抑鬱和焦慮等主題。

《笑容背後》獲樂評人廣泛讚譽，並讚揚樂團新的音樂方向、專輯的1980年代新浪潮和合成器流行風格。多家出版物，如《告示牌》和《滾石》，將該專輯列入其年終榜單。2019年，Pitchfork將該專輯列入最佳專輯十年榜第169名[4]。

《笑容背後》有5首單曲。《Hard Times（英語：Hard Times (Paramore song)）》於2017年4月19日發行；《Told You So（英語：Told You So (Paramore song)）》於2017年5月3日發行；《Fake Happy（英語：Fake Happy）》於2017年8月29日發行；《Rose-Colored Boy（英語：Rose-Colored Boy）》於2018年3月2日發行；《Caught in the Middle（英語：Caught in the Middle (Paramore song)）》於2018年6月26日發行。該專輯發行首週以67,000張專輯等價單位在美國《告示牌》二百強專輯榜獲第6名，為樂團第3張在榜單獲前10名的專輯[5]。

背景與錄製

2016年1月19日，樂團主音歌手海莉·威廉斯宣佈樂團正在創作第5張專輯，樂團前張專輯為2013年同名專輯《帕拉摩爾樂團》[6]。6月7日，樂團官方帳號在社交媒體發佈前鼓手扎克·法羅和製作人賈斯汀·梅爾達-約翰森入鏡的照片[7]，隔日發佈樂團在錄音室的短片[8]，當月錄製專輯[9][10]。6月17日，法羅再次於官方帳號發表的照片入鏡，照片他坐在爵士鼓旁，媒體稱他很有可能已回歸樂團[11]。法羅不久後澄清他只是為專輯錄製鼓點，並非回歸樂團[12]。該專輯於樂團發跡地納士維的老牌錄音室RCA錄音室A（英語：RCA Studio B）製作，為樂團首次在發跡地錄製專輯。該專輯由結他手泰勒·約克和賈斯汀·梅爾達-約翰森共同製作，兩人也曾製作樂團同名專輯[13]。專輯於2016年11月結束錄製[14]。2017年2月2日，樂團宣佈法羅以正式鼓手的身分回歸樂團[15][16]。

威廉斯在接受《紐約時報》採訪時表示：「我甚至不知道我們是否會再做一張專輯……有段時間我甚至不想去做（專輯）。然後又覺得，我想去做，但我不知道我們該怎麼做」[17]。此外，威廉斯於《DIY（英語：DIY (magazine)）》採訪時提到，「我覺得我們仍經驗不足，尤其是這張專輯。我感覺還可以嘗試很多新事物，對生命也有不少新感受——你終於跨過否認自己已成年的那道坎。這是一張瘋狂的專輯」[18]。

宣傳與發行

On April 19, 2017, the lead single, "Hard Times（英語：Hard Times (Paramore song)）", was released along with a music video.[13][19][20][21] On the same day, pre-orders of the album were made available,[13] revealing the album title, cover art, track listing, and release date.[13][19][20][21] A European headline tour was later announced via the band's official website, kicking off in Ireland on June 15.[22] Riot Fest（英語：Riot Fest） also announced that Paramore would be part of the festival's lineup in September.[23][24] On May 3, the band released a second single from the album, titled "Told You So（英語：Told You So (Paramore song)）", along with a music video.[25][26] On May 10, the album leaked online before its official release.[27] On the day of the album's release, the band announced their third "Parahoy!" cruise, which took place from April 6 to April 10, 2018, sailing from Miami to Nassau, Bahamas.[28][29] On May 17, the band performed "Hard Times" on Jimmy Kimmel Live!,[30][31] Following this, on May 25, they performed "Told You So" on The Late Late Show.[32][33] On August 29, 2017, the band released "Fake Happy（英語：Fake Happy）" as the third single from the album,[34][35] On February 5, 2018, a music video directed by Warren Fu（英語：Warren Fu） for "Rose-Colored Boy（英語：Rose-Colored Boy）" was released,[36][37][38] which is also the album's fourth single.[39] On June 26, 2018, a music video for "Caught in the Middle（英語：Caught in the Middle (Paramore song)）" was released, which also serves as the album's fifth and final single.[40][41]

詞曲

音樂與歌詞

After Laughter is a departure from Paramore's previous material, leaving behind the pop-punk and emo genres of previous releases entirely.[42][43] Matt Collar from AllMusic described the album's sound as new wave.[42] Ilana Kaplan at Paste（英語：Paste (magazine)） characterized the album as 1980s new wave pop.[44] Similarly, Billboard's Chris Payne described it as an "early '80s new wave" album, as well as calling the songs on After Laughter "slick, sun-kissed alternative pop".[43] Marianne Eloise of The Forty Five described the album as synth-pop.[45] Brad Nelson of Spin also described the album as new wave, saying that "it's the band's brightest, most animated album. The sound is crisp, every layer discernible, lacking the blurs and reverberations that constitute traditional rock production and instead drawing from the rhythmic separations that characterize '80s pop and freestyle."[46] Glenn Gamboa from Newsday stated that the band is "pushing deeper into their own pop-rock world," and that the album has "the candy-colored energy of '80s pop built on sleek synths and spiky, Afrobeat（英語：Afrobeat）-tinged guitars."[47] Pitchfork writer Ryan Dombal categorized the album a "piece of '80s pop-rock," stating "York focuses his inspirations the styles of 1980s rock and pop, conjuring a slicked-back take on fixtures like Talking Heads, Paul Simon, and the Bangles."[48] The Line of Best Fit's Dannii Leivers noted "the band have fully embraced chart-friendly, power pop."[49] According to PopMatters, "[the album] fuses sleek elements of '80s new wave, funk, and synthpop."[50] Punknews.org described the album as an "80s electro-pop album".[51] Eve Barlow from Variety observed "...these tunes builds upon the more ambitious, experimental sounds of radio stalker "Ain't It Fun（英語：Ain't It Fun (Paramore song)）" off their previous, self-titled LP, leaning on their crossover success."[52][53]

The album's lyrical content predominantly touches upon themes of exhaustion, depression, and anxiety.[46] NME said the album is a "pop triumph", highlighting the contrast between the "serious sadness" of the lyrics "underneath all the bangers".[54] Similarly, The Guardian called the album a "vibrant record, a contrast to its lyrical themes, which cover masking misery, spiralling depression and the anxiety of ageing, only with a knowing wink."[55] Newsday called the album "a collection of songs about remaining upbeat in the face of adversity that bounce around with."[47] Billboard said "Williams sings about the act of crying on no less than five songs, and there are numerous moments where she could be addressing the unfriendly exit and subsequent legal entanglements of former bassist Jeremy Davis（英語：Jeremy Davis）."[43] Spin said the album "observes a different aspect of the subject of survival: the emptiness and pointlessness, and how often it fails to alter the indifferent universe that surrounds and requires it."[46] The Line of Best Fit（英語：The Line of Best Fit） said "despite all its sunny hooks, After Laughter is a deep album with plenty to say. It's easily the most honest and mature Paramore have sounded yet."[49]

歌曲與內容

Aaron Weiss of MewithoutYou（英語：MewithoutYou） (right) is featured on "No Friend".

Tracks 1–6

After Laughter opens with "Hard Times（英語：Hard Times (Paramore song)）", a synth-heavy, disco-tinged new wave song about the feeling of going through hard times, and being useless in achieving one's goals.[42][48][56] "Rose-Colored Boy" is a synth-pop song that Rolling Stone compared to Cupid & Psyche 85（英語：Cupid & Psyche 85） by pop group Scritti Politti（英語：Scritti Politti）.[57] "Told You So" is a song that has been described as funk-pop,[58][59] as well as new wave, indie pop and electropop.[26][60][61] "Forgiveness" is a "dreamy power ballad" which features "sassy handclaps and hairflicks", which has been compared to pop rock bands Heart, Fleetwood Mac and Haim.[54][43] NPR said the song is "the band's take on Haim's chiming California soft-rock revival."[62] Spin called it one of the band's best songs, "their gentlest and most buoyant kiss-off".[46] "Fake Happy" starts out as an acoustic dirge that transforms into an "ambitious, funky anthem about everyone masking their sadness."[47] "26" is a string-laden ballad that "sighs into its lush strings". It has been compared to the songs "Misguided Ghosts" and "The Only Exception（英語：The Only Exception）" from their 2009 album, Brand New Eyes.[54][46][57]

Tracks 7–12

The seventh track "Pool", described as "aqueous" and "bouncy", is a new wave song that "bathes Williams' voice in crystalline distortion" and "shimmers like a mirage on a blazing day."[54][57][43] "Grudges" is "a sweet reflection of Williams' repaired relationship with both Farro brothers", with Zac Farro harmonizing on the track.[62] It has been compared by NME to The Bangles' work, whereas AllMusic compared it to The Cure's "Friday I'm in Love（英語：Friday I'm in Love）".[42][54] "Caught in the Middle" is a "ska-inflected" song of persistence and goal setting.[54][63] According to NME, it is one of the album's nods to their punk past, which they also compared to No Doubt's earlier music.[54] "Idle Worship" is a commentary about fame, with Williams' voice providing even more of a contrast to the stunning acridity of lyrics.[57] York revealed that he sampled wind howling through a building in the UK, then played the sample on a keyboard in the song.[64] The "moody" and "marauding" eleventh track "No Friend" has been described as post-hardcore.[62] It is the only Paramore song to not feature Williams on the vocals. Instead, Aaron Weiss from MewithoutYou（英語：MewithoutYou） is on the vocals, delivering a spoken word monologue buried in a cacophony of York and Farro's dark inversions of the "Idle Worship" riff. The lyrics add metrical detail to the sentiments of "Idle Worship", a song about interpersonal expectations, and the vast distance between one's self-conception and the idea of oneself that exists in the minds of others,[46][57] Many of its lyrics also make references to past Paramore songs.[62] Several publications referred to it as "the strangest song that's ever made it to a Paramore album."[43][48][65] The album closes with "Tell Me How", a tender piano ballad which features a "vaguely tropical pulse and warily confessional words" that allows Williams' voice to curl around and into expressions of anxiety that sound impossible to quiet.[43][48][57] It's been characterized as "a soft R&B exploration disguised as a piano ballad" by NPR, who compared it to works by Drake and The Weeknd.[62]

標題與封面

Regarding the album's title, Williams told iHeartRadio that "After Laughter is about the look on people's faces when they're done laughing. If you watch somebody long enough, there's always this look that comes across their face when they're done smiling, and I always find it really fascinating to wonder what it is that brought them back to reality. So, that's what After Laughter is."[66]

The artwork of After Laughter, which features an impossible trident optical illusion, was designed by Los Angeles–based designer Scott Cleary. It reflects a new sound and direction for the band. Cleary stated:[67]

The band came to me when they were recording the album in LA. We've been friends for a while so we were spending a lot of time together while they were in town from Nashville. They asked me if I'd be interested in doing the album artwork and band re-brand, to which I jumped at the chance. They had some ideas around the 80s vibes of the record, and a few visual references they were feeling. I did the usual "listen to the record, write/draw a bunch of stuff" and came up with the idea of a landscape where colors, shapes and textures would represent sounds and moments on the record...Sonically, the record is very "real" and I wanted the imagery details to have that finishing touch as well.

According to Cleary, his artwork was "the first piece of visual material that accompanied the new record and the band wanted a super-cohesive roll-out", therefore the music video for the lead single "Hard Times（英語：Hard Times (Paramore song)）" was "very much influenced by the artwork."[67]

專業評價

專業評分
綜合得分
來源評分
AnyDecentMusic?7.9/10[68]
Metacritic82/100[69]
評論得分
來源評分
AllMusic4.5/5顆星[42]
ConsequenceB[70]
Drowned in Sound（英語：Drowned in Sound）8/10[71]
The Guardian4/5顆星[55]
NewsdayA−[47]
NME4/5顆星[54]
Pitchfork7.5/10[48]
Rolling Stone4/5顆星[57]
Sputnikmusic4.1/5[65]
USA Today3.5/4顆星[72]

After Laughter received critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 82, based on 15 reviews, indicating "universal acclaim".[69]

Matt Collar at AllMusic commented that "much credit here goes to York, who co-wrote all of the songs and whose deft guitar and keyboard make up much of the album's distinct aural character. But of course, Williams still beats at the center of everything, her voice providing the album's warm, exuberant core."[42] Brice Ezell of Consequence stated "Colorful instrumentation and insistent hooks overpower the uneven parts of the band's fifth studio outing".[70] Joe Goggins writing for Drowned in Sound（英語：Drowned in Sound） described the band as being as "Musically...free as they've ever sounded [on this album]."[71] In a positive review, Harriet Gibsone at The Guardian said the album is "candy-coated bitterness at its best – may steer them away from the Kerrang! crowd, but one thing remains consistent to Paramore's emo roots – the theatrical mellifluence of internal angst."[55] Dannii Leivers of The Line of Best Fit（英語：The Line of Best Fit） called it a "deep album with plenty to say" and "one of the best pop albums [of the] year."[49]

Writing for Newsday, Glenn Gamboa praised the album, stating that "the closer Paramore gets to breaking up, the better it gets at finding reasons to stick together," adding that the album "is packed with potential pop hits that only Paramore could deliver. And that's the perfect reason for the group to keep going."[47] Leonie Cooper from Jon Caramanica from The New York Times noted that Paramore are "single-minded again, but not of the same mind as it once was. Ms. Williams and her bandmates, Zac Farro and Taylor York have remade themselves into a 1980s pop-rock outfit: tinny digital percussion, synthesizers and mostly constrained, saccharine singing from Ms. Williams."[73] NME gave the album 4 out of 5 stars, writing: "Catharsis is never usually this joyous, but sometimes smiling through the pain works better than crying."[54] Laura Snapes of 'The Observer called the album "one of the year's best pop albums."[74]

Iiana Kaplan of Paste（英語：Paste (magazine)） said After Laughter is "an undeniably hooky record that strays from its grunge-rock roots and finds the band in a place where they've found the fun in their craft once again." Kaplan also stated that the Williams people love is still around, while noting "Once immersed in the pop-heavy album that is After Laughter, it becomes clear that the less angsty outlook of Paramore is something only surface-level. If you look beneath, it shows Williams battling with herself to make amends ("Forgiveness", "Caught In The Middle") and put on a front to the public ("Fake Happy")."[44] Pitchfork writer Ryan Dombal described it as the band's most "fizzy" album, adding that it "highlights Williams' most existentially despondent musings to date."[48] Maura Johnston（英語：Maura Johnston） of Rolling Stone was positive towards the writing stating, "[the] lyrics evince a weariness that makes [the brightness of the album] seem garishly empty and called the album a "gorgeously produced, hook-studded record."[57] Sputnikmusic staff writer Sowing described the album as the "fresh start" that the self-titled album was meant to be, adding "After Laughter is the first post-2010 Paramore record to truly break form," mentioning "No Friend" and "26" as discography highlights.[65] Patrick Ryan writing for USA Today noted that "Paramore is clearly aiming for more radio-friendly music here, but their deceptively moving lyrics and audacious fusing of genres is what makes it such a rewarding listen."[72]

In a fifth anniversary retrospective review of the album, Yasmine Summan from Alternative Press considered it to be a "saving grace" for the band, and stated "Right now there might not be a Paramore as we know it, but with Zac's return, York's incredible talents and Williams having a place to confront her emotions, this album not only earns its acclaim for its chart-topping successes but is as crucial to the band's growth as Riot! or brand new eyes."[75]

獲獎紀錄

出版物 獎項 排名 參考
AllMusic AllMusic 2017年最佳專輯 不適用
[76]
《告示牌》 2017年50佳專輯
15
[77]
《前音後果》 2017年50大專輯
45
[78]
Drowned in Sound（英語：Drowned in Sound） Favourite Albums of 2017
13
[79]
《NME》 2017年度專輯
20
[80]
《Noisey》 2017年100佳專輯
33
[81]
全國公共廣播電台 2017年50佳專輯
50
[82]
《PopMatters》 2017年60佳專輯
52
[50]
《滾石》 2017年50佳專輯
25
[83]
The Skinny（英語：The Skinny (magazine)） Top 50 Albums of 2017
14
[84]
Stereogum The 50 Best Albums of 2017
37
[85]
Time Out New York The Best Albums of 2017
8
[86]

商業表現

After Laughter debuted at number six on the US Billboard 200, making it their third top 10 on the chart, with 67,000 album-equivalent units, of which 53,000 were pure album sales,[87] and was certified gold by the RIAA for shipments of 500,000 albums.[88] It also debuted within the top 10 of seven other countries including Australia, Austria, Canada, Ireland, New Zealand, Scotland and the UK.

曲目

全碟詞曲：Hayley Williams and Taylor York（英語：Taylor York）, except where noted　
After Laughter track listing
曲序曲目詞曲時長
1.Hard Times（英語：Hard Times (Paramore song)） 3:02
2.Rose-Colored Boy（英語：Rose-Colored Boy）
3:32
3.Told You So（英語：Told You So (Paramore song)） 3:08
4.Forgiveness 3:40
5.Fake Happy（英語：Fake Happy） 3:55
6.26 3:40
7.Pool
  • Williams
  • Farro
  • York
3:52
8.Grudges
  • Williams
  • Farro
  • York
3:06
9.Caught in the Middle（英語：Caught in the Middle (Paramore song)） 3:34
10.Idle Worship 3:18
11.No Friend
3:24
12.Tell Me How 4:20
總時長：42:31

製作團隊

Paramore

Additional musicians

  • Justin Meldal-Johnsen（英語：Justin Meldal-Johnsen） – bass guitar, keyboards, programming
  • Zelly Boo Meldal-Johnsen – background vocals (2)
  • David Davidson – violin (6)
  • Benjamin Kaufman – violin (6)
  • Betsy Lamb – viola (6)
  • Claire Indie Nunn – cello (6)
  • Daniel James – string arrangement (6)
  • Aaron Weiss（英語：MewithoutYou） – lead vocals (11)

Technical

Artwork

  • Scott Cleary – art direction, design
  • Ken Tisuthiwongse – photography for artwork
  • Lindsey Byrnes – band photography
  • Brian Ranney – packaging production

排行榜

銷量認證

地區 認證 認證單位/銷量
英國（英國唱片業協會）[117] 金 100,000‡
美國（美國唱片業協會）[88] 金 500,000‡

‡僅含認證的串流媒體+實際銷量

參考資料

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  3. ^ Sharp, Tyler. Paramore part ways with bassist Jeremy Davis. Alternative Press. 2015-12-15 [2023-01-01]. （原始內容存檔於2017-04-15）. 
  4. ^ The 200 Best Albums of the 2010s. Pitchfork. 2019-10-08 [2018-12-25]. 
  5. ^ Harry Styles Debuts at No. 1 on Billboard 200 Albums Chart. Billboard. [2018-08-18]. 
  6. ^ Payne, Chris. Hayley Williams Announces Paramore Is Writing a New Album. Billboard. 2016-01-20 [2023-01-01]. 
  7. ^ Is Zac Farro Back In Paramore?. Kerrang!（英語：Kerrang!）. 2016-06-07 [2023-01-01]. 
  8. ^ Instagram video by Paramore • Jun 8, 2016 at 10:29pm UTC. Instagram. [2016-06-14]. （原始內容有限度免費查閱，超限則需付費訂閱存檔於2021-12-24）. 
  9. ^ Payne, Chris. Paramore's New Album: What We Do (And Don't) Want to Hear. Billboard. 2016-07-03 [2017-04-26]. 
  10. ^ Day one in Nashville: time to unpack.. Instagram. [2017-04-26]. （原始內容有限度免費查閱，超限則需付費訂閱存檔於2021-12-24）. 
  11. ^ Moore, Sam. Paramore reunite with drummer Zac Farro for new album sessions. NME. 2016-06-21 [2023-01-01]. 
  12. ^ Stam, Janneke. Zac Farro Confirms He's On The New Paramore Album. Rock Sound（英語：Rock Sound）. 2016-07-05 [2023-01-01]. （原始內容存檔於2017-02-25）. 
  13. ^ 13.0 13.1 13.2 13.3 Kaufman, Gil. Paramore Drop Single, 'Hard Times,' Announce New Album, 'After Laughter'. Billboard. 2017-04-19 [2023-01-01]. 
  14. ^ Taylor, Sam. It looks like Paramore have finally finished their album. Upset Magazine. 2016-11-24 [2023-01-01]. （原始內容存檔於2017-04-27）. 
  15. ^ Payne, Chris. Rejoice, Paramore Fans: Drummer Zac Farro Is Back in the Band. Billboard. 2017-02-02 [2023-01-01]. （原始內容存檔於2018-07-02）. 
  16. ^ Luke Morgan Britton. Paramore appear to confirm return of original member. NME. 2017-02-02 [2023-01-01]. 
  17. ^ Coscarelli, Joe. Paramore Bounces Back With Old Faces and a New Sound. The New York Times. 2017-04-19 [2017-04-23]. （原始內容存檔於2017-04-20）. 
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取自 "https://zh.wikipedia.org/w/index.php?title=User:Azusa1226/After_Laughter&oldid=83500204"