沙乐琴
沙乐琴(Sarod, 孟加拉语：সরোদ shorod, Hindi:सरोद)，又译作萨罗德，是除了锡塔琴以外，在北印度古典音乐最流行的乐器。比锡塔琴体型略小，沙乐琴的声音比较低沉和内敛。由于没有品(frets)，方便大幅度的滑音。共有四至五条演奏用的弦，另有两条持续低音的弦(chikari strings)，和九至十一条共鸣弦，指板多以不锈钢制造，共鸣箱蒙以羊皮。右手以木制的拨来拨弦，而左手按弦时多用指甲尖，方便滑音，也令乐器的音色略带金属声。[1]
历史
沙乐琴的名字源于波斯语，意思是漂亮的声音或旋律，可能起源于今日阿富汗的地区，最初被称为低音 rubab。[2]
著名演奏家
早期的开拓者
- Abdullah Khan (1849–1928), Court Musician of Darbhanga and Dacca
- Asadullah Khan "Kaukav" (1852–1919)
- Fida Hussain Khan (1855–1927), Court Musician of Rampur
- Ghulam Ali Bangash (c. 1790-1858), Court Musician of Gwalior
- Karamatullah Khan (1848–1933), Court Musician of Nepal
- Mohammad Amir Khan (1873–1934), Court Musician of Darbhanga and Rajshahi
- Murad Ali Khan (c. 1825-1905), Court Musician of Gwalior and Darbhanga
- Niyamatullah Khan (1809–1911), Court Musician of Bundi, Alwar and finally Lucknow
- Shafayat Ali Khan (1838–1915)[3]
二十世纪演奏家
- Ali Akbar Khan (1922–2009)
- Allauddin Khan (1862–1972)
- Aashish Khan (b. 1939)
- Amjad Ali Khan (b. 1945)
- Bahadur Khan (1931-1989)
- Buddhadev Das Gupta (b. 1933)
- Hafiz Ali Khan (1888–1972)
- Sakhawat Hussain (1877–1955)
- Sharan Rani Backliwal (1929–2008)
- Radhika Mohan Maitra (1917–1981)
- Vasant Rai (1942–1985)
参见
参考资料
- ^ Broughton, Simon. Tools of the Trade: Sarod. [2006-12-02]. （原始内容存档于2006-11-18）.
- ^ Courtney, David. Sarod. David and Chandrakantha Courtney. [2006-12-02]. （原始内容存档于2006-12-06）.
- ^ Tamori, Masakazu. The Transformation of Sarod Gharānā:Transmitting Musical Property in Hindustani Music (PDF). Senrii Ethnological Studies 71: Music and Society in South Asia. [2009-08-03]. ISBN 978-4-901906-58-6. （原始内容 (PDF)存档于2011-07-22）.