律学
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乐律学（英语：Musical temperament）音乐学的重要组成部分，研究乐律产生，定量，测量，数学表达及相关自然属性的交叉学科。以字义来说，西方所谓的“律学”（temperament）其实是为了解决毕式律所产生的不和谐八度所产生的“调整”，本身并没有“规律”的意义。
范畴及争议
律学是声学、数学和音乐学的交叉学科，在中国由于史料不易取得，在《宋史・乐制三》中记载宋神宗言：“乐律绝学”[1]。
西方围绕着乐律学的争议，从中世纪开始一直到现代仍然没有停止。
参见
参考资料
- ^ 沈冬. 宋代乐议研究——以《宋史．乐志》为中心 （页面存档备份，存于互联网档案馆）. 2021-01-31[2021-06-25]
- Music: a Mathematical Offering (mathematical perspective with two chapters on temperament) by Dave Benson
- Tuning And Temperament A Historical Survey (1951) by J. Murray Barbour
- Essay on Musical Temperament (part 2) by Prof. Fisher (Yale College)
- "Temperament" from A supplement to Mr. Chambers's cyclopædia (1753) （页面存档备份，存于互联网档案馆）
- Theory and practice of just intonation (1850) by Thomas Perronet Thompson
- Elements of musical composition: comprehending the rules of thorough bass and the theory of tuning (1812) by William Crotch
- An essay on temperament (1832) by J. Jousse
- Essay on musical intervals, harmonics, and the temperament of the musical scale, &c (1835) by Wesley Stoker B. Woolhouse
- Harmonics, or The philosophy of musical sounds (1759) by Robert Smith (1689-1768)
- Modern organ tuning : the how and why? by Hermann Smith (1824-1910)
- Piano Tuning: A Simple and Accurate Method for Amateurs by Jerry Cree Fischer
- The organ viewed from within : a practical handbook on the mechanism of the organ, with a chapter on tuning by John Broadhouse
- Construction, Tuning and Care of the Piano-forte (1887) by Edward Quincy Norton
- Regulation and Repair of Piano and Player Mechanism, Together with Tuning as Science and Art (1909) by William Braid White
- Modern piano tuning and allied arts (1917) by William Braid White (1878-1959)
- Biddle, Horace Peters. The Musical Scale. Oliver Ditson & Company. 1867.
