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The Revenant | |
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基本资料 | |
导演 | 阿利安卓·崗札雷·伊納利圖 |
监制 |
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剧本 |
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原著 | 神鬼獵人 (小說) 迈克·庞克作品 |
主演 | |
配乐 | |
摄影 | 艾曼纽尔·卢贝兹基 |
剪辑 | Stephen Mirrione |
片长 | 156 minutes[1] |
产地 | United States[2] |
语言 | English |
上映及发行 | |
上映日期 |
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发行商 | 二十世紀影業 |
预算 | $135 million[3] |
票房 | $533 million[4] |
The Revenant is a 2015 American 史诗片 劇情片 directed by Alejandro G. Iñárritu. The screenplay by Mark L. Smith and Iñárritu is based in part on 迈克·庞克's 2002 novel 神鬼獵人 (小說), which describes 邊境sman Hugh Glass's experiences in 1823, and which is based on the 1915 poem Cycle of the West. The film stars 莱昂纳多·迪卡普里奥 and 湯姆·哈迪.[5]
In August 2001, 阿奇瓦·高斯曼 purchased Punke's manuscript. Iñárritu signed on to direct The Revenant in August 2011; in April 2014, after several delays due to other projects, Iñárritu confirmed that he was beginning work on it and that DiCaprio had the lead role. 主体拍摄 began in October 2014. Location and crew concerns delayed production from May to August 2015.
The Revenant premiered at the TCL Chinese Theatre in Los Angeles, California on December 16, 2015. It had a 有限上映 on December 25 and a 全國上映 on January 8, 2016. It was a blockbuster, grossing $533 million worldwide. It received critical acclaim, with praise for the performances, particularly for DiCaprio and Hardy, Iñárritu's direction, and Lubezki's cinematography; however, some criticism went to screenplay and runtime.[6][7][8]
It won three 金球獎 and five 英国电影学院奖, including Best Film at both shows. For the 第88屆奧斯卡金像獎, the film received 12 nominations, including 奥斯卡最佳影片奖 and 奥斯卡最佳男配角奖 (Hardy). It won the Academy Awards for 奥斯卡最佳导演奖 (Iñárritu, his second consecutive in that category), 奥斯卡最佳男主角奖 (DiCaprio, his first after 5 previous nominations), and 奧斯卡最佳攝影獎 (艾曼纽尔·卢贝兹基, his third consecutive in that category). DiCaprio also won the 金球奖剧情类电影最佳男主角, the 美国演员工会奖最佳男主角, the 英國電影學院獎最佳男主角, and the 評論家選擇電影獎最佳男主角 for Best Actor.
Plot
In late 1823, Hugh Glass guides Captain Andrew Henry (fur trader)'s 狩獵陷阱 through the territory of the present-day The Dakotas. While he and his half-波尼族 son, Hawk, are hunting, the company's camp is attacked by an Arikara war party seeking to recover its Chief's abducted daughter, Powaqa. Many of the trappers are killed during the fight, while the rest of them escape onto a boat. Guided by Glass, the survivors travel on foot to Fort Kiowa, because he believes that traveling downriver will make them vulnerable. After docking, the crew stashes the pelts near the shore.
While scouting game, Glass is mauled by a 灰熊 and left near death. Trapper John Fitzgerald, who is fearful of another Arikara attack, argues that the group must 安乐死 Glass and keep moving. Henry agrees, but he is unable to pull the trigger; instead, he offers money for someone to stay with Glass and bury him after he dies. When the only volunteers are Hawk and the young 吉姆·柏瑞哲, Fitzgerald agrees to stay for money, to recoup his losses from the abandoned pelts.
After the others leave, Fitzgerald attempts to smother Glass but is discovered by Hawk. Fitzgerald, afraid that Hawk's loud reaction to his attempt to kill Glass could alert Bridger, who is away gathering water, stabs Hawk to death as Glass watches helplessly. The next morning, Fitzgerald convinces Bridger, who is unaware of Hawk's murder, that the Arikara are approaching and they must abandon Glass. Bridger protests at first, but he ultimately follows Fitzgerald after the latter leaves Glass half-buried alive in a makeshift grave. Bridger leaves his canteen, in which he engraved a spiral symbol, with Glass. After they depart, Fitzgerald admits that he lied about the approaching Arikara. When Fitzgerald and Bridger later meet Henry at the fort, Fitzgerald tells Henry that Glass died and Hawk vanished. Bridger is complicit in the lie about Glass's death, although he knew nothing about Hawk's disappearance.
Glass begins his arduous journey through the wilderness. He performs crude cauterization of his wounds and eludes the pursuing Arikara by jumping into white water rapids. He later encounters Pawnee refugee Hikuc, who says that "revenge is in the Creator's hands." The men share bison meat and travel together. As a storm approaches, Hikuc constructs a makeshift sweat lodge for a feverish Glass to shelter in. After a hallucinogenic experience in the lodge, Glass emerges to discover that his wounds are healing but Hikuc has been hanged by French hunters. He infiltrates their camp and sees the leader raping Powaqa. He frees her, kills several hunters and recovers Hikuc's horse. The next morning, Glass is ambushed by the Arikara and driven over a cliff on his horse. He survives the stormy night by eviscerating the horse and sheltering inside its carcass.
A frightened French survivor staggers into Fort Kiowa, and Bridger recognizes his spiral engraved canteen as Glass's. Believing that it was stolen, Henry organizes a search party. Fitzgerald, realizing that Glass is alive, empties the outpost's safe and flees. The search party finds the exhausted Glass. Furious, Henry orders the arrest of Bridger, but Glass vouches for Bridger by stating that he was not present when Fitzgerald murdered Hawk and was later deceived and threatened by the higher-ranking Fitzgerald. Glass and Henry set out in pursuit of Fitzgerald.
After the two split up, Fitzgerald ambushes, kills, and scalps Henry. Glass finds Henry's corpse, places it on his horse to act as a decoy, and shoots Fitzgerald in the arm. He pursues Fitzgerald to a riverbank, where they engage in a brutal fight. Glass is about to kill Fitzgerald, but he spots a band of Arikara downstream. He remembers Hikuc's words and pushes Fitzgerald downstream into the hands of the Arikara. Elk Dog kills and scalps Fitzgerald, and the Arikara (who have found Powaqa) spare Glass. Glass retreats into the mountains where he is visited by the spirit of his wife and is heard breathing throughout the credits.
Cast
- 莱昂纳多·迪卡普里奥 as Hugh Glass
- 湯姆·哈迪 as John Fitzgerald
- 多姆納爾·格里森 as Andrew Henry (fur trader)
- 威爾·普爾特 as 吉姆·柏瑞哲
- Forrest Goodluck as Hawk
- 保羅·安德森 (演員) as Anderson
- Kristoffer Joner as Murphy
- Duane Howard as Elk Dog
- Melaw Nakehk'o as Powaqa
- Arthur Redcloud as Hikuc
- 盧卡斯·哈斯 as Jones
- 布萊登·佛雷切 as Fryman
- 湯姆·蓋里 as Billy Brother Trapper
- Grace Dove as Hugh Glass's wife
製作
籌備
《神鬼獵人》自2001年8月開始籌備,當時製片人阿奇瓦·高斯曼取得了迈克·庞克的未出版手稿的改編版權[9]。David Rabe寫下該片的劇本[10]。朴贊郁接手製作,並考慮由森姆·積遜領銜主演。朴贊郁之後退出了企劃[11][12]。籌備過程陷入停滯,直到2010年,Mark L. Smith為Steve Golin的Anonymous Content寫了一份新的改編劇本。2010年5月,史密斯揭露約翰·希爾寇特將執導演筒,而克里斯汀·貝爾正在協商主演事宜[13]。希爾寇特在2010年10月退出[12],Jean-François Richet曾是接替他的考慮人選,不過最終阿利安卓·崗札雷·伊納利圖在2011年8月簽下導演一職[12][14]。同時高斯曼也經證實將擔任監製,偕同他的公司Weed Road Pictures[14]。2011年111月,攝政製片公司加入Anonymous Content的製作行列,二十世紀影業確定將擔任發行商[15][16]。一段時間後,Days later, 伊納利圖表示他有意找莱昂纳多·迪卡普里奥與西恩·潘來飾演兩名領銜角色[17]。
伊納利圖同意擔任導演後,他馬上開始和史密斯一起改寫劇本。史密斯在訪談中承認,在改寫過程中,他不確定伊納利圖是否有能力將某些他們寫的橋段拍出來。史密斯回憶道:「如果他有些點子,我就會說:『阿利安卓,我們搞不定這個的。這不會成功』,然後他會說:『馬克,相信我,我們可以的』。到頭來,他是正確的。」[18]
電影製程在2012年3月喊暫停,因為攝政製片公司聘請伊納利圖去導演非虛構小說《Flim-Flam Man》的改編電影[19];潘也是那部電影的主演人選[20]。2012年12月,伊納利圖宣布他的下一部電影會是《鳥人》。《鳥人》於2013年3月開拍[21],伊納利圖預定於《鳥人》殺青後開始製作《神鬼獵人》[22]
《神鬼獵人》擁有6000萬美元的製作預算,攝政製片公司資助了其中的3000萬。布萊特·拉特納的RatPac-Dune Entertainment也是本片的贊助商[15]。曾資助《鳥人》的Worldview Entertainment原本也會資助《神鬼獵人》,但因為CEOChristopher Woodrow離職,所以在2014年7月打消計畫[15][22][23]。攝政製片公司向二十世紀福斯要求更多資金,但後者不予答應,理據是他們已經和迪卡普里奥與湯姆·哈迪簽了保證合約,無論電影是否完成都要支付片酬給這兩位演員[23]。稍晚,安纳布尔纳影业的梅根·艾利森協商贊助本片的事宜[15][23]。中國公司奥飞娱乐部分資助了本片[24]。
拍攝
本片的主体拍摄於2014年10月開始[25]。定於12月的兩周休息延長至六周,迫使哈迪退出《自殺突擊隊》的演出。2015年2月,使用自然光拍片的伊納利圖表示,原定於3月結束的拍攝將持續進行至「4月底或5月」,因為「我們的拍攝時數非常少,(……)我們是在如此偏遠的地方拍片,光是去回就花掉了一天的40%。」[26][27][28]最終,主體拍攝在2015年8月結束[29][30]。
瀑布場景在鄰近美國蒙大拿州利比的Kootenai Falls拍攝。電影的最終橋段原定於加拿大取景,不過因為當時天氣太暖,劇組只好移師至阿根廷南端,在白雪覆蓋地面的河流Rio Olivia拍攝[25][31]。
劇組成員經常抱怨拍攝困難的問題,許多人退出或遭到開除。Mary Parent隨後被帶來擔任製作人[25]。對於工作人員的離開,伊納利圖解釋道:「身為一個導演,如果我認定某把小提琴走調了,就得把它從管弦樂團拿掉。」狄卡皮歐在談到拍攝時的體驗時表示:「我可以舉出三十或四十個橋段,都是我這輩子被要求做的事情中最困難的。管它是在結凍的河流上岸又下水,還是睡在動物屍體裡頭,又或者是拍片現場的伙食。(我一直在)忍受刺骨寒冷和可能發生的失溫症。」[32][33]
伊納利圖打算按照劇情順序來拍片,但這種作法非常費力且在業界不常見,以本片來說會多花700萬美元的預算[34]。伊納利圖後來證實,本片確實是循序拍攝,不同於哈迪的說法,後者稱這種作法因為天氣的緣故而無法實行[35][36]。
2015年7月,有報導稱本片的預算花費已從6000萬美元增加至9500萬美元,截止至殺青時甚至達到1.35億美元[3]。
視覺效果
《神鬼獵人》的視覺效果主要由光影魔幻工業(ILM)操刀。包含Moving Picture Company(MPC)和Cinesite在內的其他公司也有參與製作[37]。
音樂
本片的電影配樂由日本音樂家坂本龍一和德國電子音樂家Alva Noto譜寫,Bryce Dessner製作額外配樂[38]。配樂主體由Northwest Sinfonia的音樂家們錄製,錄製地點在西雅圖Bastyr Chapel的Seattlemusic Scoring Stage。錄音現場由坂本指揮。Dessner譜寫的配樂由25人的柏林管弦樂團「s t a r g a z e」演奏,André de Ridder指揮[39][40]。片中使用的其他授權樂曲包含John Luther Adams的「Become Ocean」和法國音樂家Eliane Radigue的「Jetsun Mila」,前者由Seattle Symphony錄製,Ludovic Morlot指揮[41]。原聲帶於2015年12月25日數位發行,2016年1月8日發行CD。Milan Records released a vinyl pressing of the soundtrack in April 2016.[40]
由坂本和Noto操刀的配樂沒有角逐奥斯卡最佳原创音乐奖的資格,因為其是由「多於一名作曲家的音樂所組成」[42]。
主題
影評人在Wai Chee Dimock在《Los Angeles Review of Books》上撰文,將《神鬼獵人》的主題與詹姆斯·菲尼莫尔·库珀的文學作品相比較,特別是後者的《最後的摩根戰士》。Dimock認為本片重新詮釋了「half-breed」的概念,從庫珀所鄙視的貶抑概念,變成一種帶有審美觀點的看世界方式。她將兩部作品的主角——格拉斯和Hawk-eye——當成文學上的映襯角色來比較,稱格拉斯的存在對於後者,是一種身世和視角方面的顛覆[43]。[需要解释]
在紀錄片《未被看見的世界》中,伊納利圖表示,對於本片的核心主題,他重新審視強烈父母心和子女身分的議題和困擾,這些是他的作品中反覆出現的主題。關於貫穿本片的復仇主題,伊納利圖稱片中出現的復仇方式,需要被某個想將復仇視為一種應用在生活中的有效或者有用的道德的人來淡化。伊納利圖稱,那些將復仇當成更崇高的生命意義或目的之人,最後擁有的只有失望和不充實感[44][45]。[需要解释]
歷史準確度
《衛報》報導稱:「格拉斯愛上一位波尼族女人的背景故事是虛構的。雖然有人猜測格拉斯本尊有過這麼一段關係,但缺乏確切的證據——也沒有證據表明他有孩子。(……)對於結局,結局被以一種明顯的方式變更:現實中沒有人被殺。」[46]
加拿大男演員Roy Dupuis強烈批評本片將法裔加拿大人的「Voyageurs」描繪成殺人不眨眼的強姦犯。Dupuis原本獲邀飾演其中一名Voyageurs,但他發現這當中有反法偏見和歷史不準確之處,所以拒絕[47][48][49][50]。北美殖民地方面的加拿大首席研究員Allan Greer則指出:「一般而言,美國貿易商的名聲比加拿大貿易商還糟糕。」[47]
伊納利圖在公開演講中特別強調本片涉及的族群歷史議題之重要性,這些議題在電影中透過格拉斯的混血兒子加以呈現,伊納利圖稱這和他自己的人生及對族群問題的認同有關。伊納利圖提到他遇到過持續的仇外情緒,並表示:「這些源源不絕且不留情的仇外(言論)已經被媒體毫不羞恥地廣泛傳播,在美國各處受到領導者們和社區的接納和鼓吹。因為這一切的根基是如此不像話,(仇外)甚至可以被淡化成《週六夜現場》的喜剧小品、一個單純的娛樂、一則笑話……我曾自問,我該不該在今晚搬出這個令人不適的話題,但鑒於近來那些持續針對我的墨西哥同胞的仇外言論,我想這無法迴避。」[51]
歷史學家也指出本片中出現的幾個时代错置。其中一例出現在約翰·費茨傑羅談到他爸在德州騎警司有朋友,打算要到德州加入他們。這段話表示德州當時是聯邦的一部分,或者是與之結盟的地區。然而實際上在1823年,當時的德州(墨属德克萨斯)是一個人口很少的墨西哥省分,所以不會有美國軍隊,更何況是德州騎警[52]。
原住民文化
為了準確描繪阿里卡拉族的文化,伊納利圖雇用了幾名文化顧問[53][54],並與兩名語言學家合作,以求提供演員可信的阿里卡拉語與波尼語台詞[55][56]。對格拉斯伸出援手的波尼族人Hikuc由一名納瓦霍人飾演[57]。其中一個場景透過配音讓Hikuc說了一段因紐皮雅特語,但這個語言來自阿拉斯加極地,相隔幾千公里之遠,和波尼語也屬於不同語系。這段配音由Doreen Nutaaq Simmonds朗誦,內容是John Luther Adams從一名因紐特女人Uvavnuk紀錄來的詩[58]。
上映
《神鬼獵人》於2015年12月25日起先在洛杉矶等地有限上映,使本片有資格角逐第88屆奧斯卡金像獎獎項,之後才在2016年1月8日全國上映[59][60]。在澳大利亞和英國,本片分別於2016年1月7日和15日上映[61][62]。本片原定於2016年1月27日在菲律賓上映,最後延遲一周到2月3日[63][64]。製片方原本選擇不在中华人民共和国進行院線上映,不過在本片贏得3項奧斯卡金像獎後便談妥在中國發行[65]。本片於2016年3月18日在中國上映,有幾處刪減[24]。
家用媒體
本片的DVD、藍光光碟和超高清蓝光光碟於2016年4月12日在美國發行[66]。DVD的首發銷量加上線上訂單使本片登上Amazon銷售榜首[67]。2016年5月17日,家用媒體上架至美國的主流出租店[68]。
盜版
電影上映前不到一周,《神鬼獵人》的試映拷貝在2015年12月20日在網路上流出。聯邦調查局認為這起案件和Alcon Entertainment的CEO Andrew Kosove有關,但他否認[69]。2016年10月,一名前二十世紀福斯員工因為將《神鬼獵人》和《史努比 The Peanuts Movie》上傳至網路上而受罰112萬美元[70]。
紀錄片
本片有一部聚焦製作過程的44分鐘紀錄片「A World Unseen」,於2016年1月21日發布於YouTube[44][45]。Eliot Rausch擔任紀錄片的導演[71][72]。
迴響
票房
《神鬼獵人》在美國和加拿大共有1.83億美元的票房,加上來自其他地區的3.493億美元,全球票房為5.33億美元,而製作預算則是1.35億美元[4]。《Deadline Hollywood》在考慮所有成本和收益的情況下,算出本片的淨利為6160萬美元[73]
在北美,《神鬼獵人》於2015年12月25日在纽约和洛杉矶的四家劇院有限上映,在該週末收穫474,560美元,排名23,平均每家劇院進帳118,640美元[74],在2015年電影中僅次於《史帝夫賈伯斯》(平均每家130,000美元)[75]。本片在全國上映前有限上映兩週,共收穫160萬美元,2016年1月8日開始在3,371家劇院廣泛上映[76][77]。
本片在2,510家劇院的星期四搶先場共收穫230萬美元的票房[76]。星期五開畫當天,本片收穫1440萬美元,是當天的票房冠軍[78]。統計整個首映週末,本片透過3,375家劇院獲得3980萬美元的票房,比原先預測多出七成,票房僅次於上映第四周的《STAR WARS:原力覺醒》(4240萬美元)。該票房成績是導演伊納利圖的個人最佳,也是狄卡皮歐和哈迪的個人第四[79]。有評論指出,《STAR WARS:原力覺醒》本來就有優勢,其上映劇院數多出781家、電影院的週日午場以適合闔家觀賞居多,且該片在北美所有的IMAX都有放映[79]。不過,《神鬼獵人》的票房表現分布均衡,除了東北地區外,在其他所有州的表現都超乎預期[79]。《神鬼獵人》的首映週末票房也是歷來的1月份最高[80]。本片在廣泛上映後的第三個周末登頂票房冠軍,勝過上映第二周的《龍兄唬弟2》。在該週末,儘管2016年1月美國雪暴籠罩大半美國東岸並據稱重挫不少電影票房,本片仍進帳1600萬美元並衛冕,票房和前周比起來下跌49.7%[81][82][83][84]。再下一個周末,本片被新上檔的動畫片《功夫熊猫3》超越,僅維持一周的冠軍[85]。1月14日公布奧斯卡金像獎入圍名單後,《神鬼獵人》是最佳影片角逐者中票房增長最多的,截止至2月28日的頒獎典禮時,本片的票房從5410萬美元躍升至1.705億美元,增加了215%[86]。
在北美以外地區,本片在78個國家上映[87]。本片首先在18個地區的2,407家劇院上映,共收穫2050萬美元,在國際票房榜上僅次於《原力覺醒》,若僅考慮新片的話則為榜首[88]。隔週,25個地區的4,849家大銀幕貢獻了3230萬美元的票房[87]。本片在第三個周末同時稱冠美國票房和國際票房,以來自48個地區的3370萬美元擊敗《原力覺醒》[89]。In the United Kingdom and Ireland, it took the No. 1 spot with $7.87 million or £5.2 million ($7.4 million) from 589 theaters and remained there for a second weekend declining by 24% with £3.86 million ($5.5 million), as well as for a third weekend.[87][90][91][92][93] Similarly, in Russia, it passed The Force Awakens to take the top spot with $7.5 million from 1,063 screens.[88] In France, it has the biggest opening day in Paris and the third-biggest opening weekend of 2016 with $8.2 million.[94] It also opened at No. 1 in Mexico ($5.1 million), Spain ($4 million), the Netherlands ($1.3 million), Belgium ($1.1 million), Argentina ($955,000), Sweden ($914,000), South Korea, Denmark, Norway, Israel, Egypt and Portugal among other markets.[87][89][92][95] In Germany ($4.6 million) and Australia ($2.9 million), it debuted at No. 2 both behind The Force Awakens and in Brazil ($2.17 million) behind The Ten Commandments.[88][95] It had one of the top ten openings of all time for a Fox film, not accounting for inflation in South Korea with $5.7 million and went on to top the box office there for a second weekend with $3.22 million despite cold weather affecting theater attendance resulting in low box office performance.[96][97] In Russia, despite not opening at No. 1, it topped the box office in its second weekend with $4.4 million—more than The Force Awakens—and went on to the top for a third weekend with $3.6 million.[87][98] In China, it had an opening day of around $11 million from more than 11,000 screens, including $250,000 in midnight previews, and $23 million in two days.[99][100][101] In its opening weekend, it grossed $31 million, coming in second place behind the animated 動物方城市. IMAX comprised $2.3 million on 278 screens.[102] In terms of total earnings, its largest markets outside of the US and Canada are China ($58.6 million), the United Kingdom ($32.8 million), Germany ($28.7 million) and France ($28.2 million).[103][104] The film opened in Japan on March 23.[94][105]
專業評價
本片獲得多數影評人的讚美。影評匯總網站爛番茄收集404份評論文章,其中有315份給出了「新鮮」的正面評價,「新鮮度」為78%,平均得分7.80(最高10分),該網站的共識評價寫道:「《神鬼獵人》的高度堅持帶來高度美感饗宴,本片以莱昂纳多·迪卡普里奥盡心盡力的演出為驅動燃料,化為嚴苛但令人收穫豐富的迷人劇情片。」[106]另一網站Metacritic上收集的50篇評論中則有41篇好評,1偏差評,8篇褒貶不一,綜合評分76(最高100),屬好評居多[107]。根據CinemaScore調查,觀眾的反應在A+至F間落於「B+」,而PostTrak則指出,觀眾給出了85%的正面評分,並有59%的觀眾表示「絕對推薦」[108][109]。
《CBS新聞》引用的評論家極力讚賞狄卡皮歐的演出,稱之為「他對角色付出程度的精采證明」和「兇猛的200%投入所展現的獨挑大樑演技」[7]。《滾石雜誌》的影評人彼得·崔維斯將狄卡皮歐的演技稱作「一場精湛的演出,其蠻力和說服力令人震顫」[110]。為《Vulture》寫稿的David Edelstein稱本片為「精心傑作」 and "[b]leak as hell but considerably more beautiful," but noted the film had "traditional masculinity instead of a search for what illuminates man's inhumanity to man."[來源請求]
Justin Chang of 綜藝 (雜誌) wrote Iñárritu "increasingly succumbs to the air of grim overdetermination that has marred much of [his] past work" and it was "an imposing vision... but also an inflated and emotionally stunted one."[7] Stephanie Zacharek, writing for Time magazine, gave a positive review to the film stating: "Inarritu may have fashioned The Revenant as the ultimate endurance test, but as Glass, DiCaprio simply endures. He gives the movie a beating heart, offering it up, figuratively speaking, alive and bloody on a platter. It—he—is the most visceral effect in the movie: revenge served warm. Bon appetit."[6] Richard Brody of 紐約客 was critical of the film, and said that 艾曼纽尔·卢贝兹基's images were mere "pictorial ornament[s] to Alejandro G. Iñárritu's bland theatrical stagings."[111]
偏锋杂志's writer Ed Gonzalez suggested that the Slant staff in large part disliked the film: "Our contempt for The Revenant knows no limits."[111] Gonzalez unfavorably compared Iñárritu's work to 泰倫斯·馬利克's 2005 film 新世界 (2005年电影). In the official review, Slant writer Jaime N. Christley wrote: "The Revenant [is] a misery-fest that plants its narrative flags as carelessly as a 羅蘭·艾默瑞奇 blockbuster, guaranteeing us a viewing experience almost as arduous as the trials depicted on screen, before reaching a conclusion that's sealed the moment audiences first meet the key players. After an obligatory false calm, The Revenant's proper opening scene is a show-stopping massacre at a fur trapper's campsite. It's the kind of thing 霍華·霍克斯 would have handled—and did, in The Big Sky (film)—in under 90 seconds, with mostly off-camera particulars and minimal effects, but Iñárritu forces it to resemble the Normandy Beach sequence in 搶救雷恩大兵 as much as history or sense will allow, and then some."[112] The Revenant was ranked 22nd on Metacritic's and 79th on 爛番茄' list of best films of 2015.[113][114][115]
獎項
The Revenant has received numerous award nominations and wins, particularly for DiCaprio's performance, Iñárritu's direction and Lubezki's cinematography. At the 第88屆奧斯卡金像獎, Iñárritu won 奥斯卡最佳导演奖 for the second consecutive time, 艾曼纽尔·卢贝兹基 won 奧斯卡最佳攝影獎 for the third consecutive time, and DiCaprio won his first award for 奥斯卡最佳男主角奖. Hardy lost the award for 奥斯卡最佳男配角奖 to 马克·里朗斯 for 间谍之桥, and the film itself lost 奥斯卡最佳影片奖 to 驚爆焦點.[116]
At the 第73屆金球獎, it won three awards: 金球獎最佳戲劇類影片, 金球獎最佳導演, and 金球奖剧情类电影最佳男主角. It also had a nomination for 金球奖最佳原创配乐奖.[117] On January 14, 2016, the film received 12 奥斯卡金像奖 nominations (more than any other film at the ceremony), including 奥斯卡最佳影片奖 and 奥斯卡最佳导演奖 for Iñárritu, as well as 奥斯卡最佳男主角奖 and 奥斯卡最佳男配角奖, for DiCaprio and Hardy, respectively.[118] On February 14, 2016, the film received the most awards at 第69届英国电影学院奖 out of eight nominations, with five, including 英国电影学院奖最佳影片, 英国电影学院奖最佳导演, BAFTA Award for Best Cinematography, BAFTA Award for Best Sound, and 英國電影學院獎最佳男主角.[119] It received nine 评论家选择电影奖 nominations, winning two—for DiCaprio as 評論家選擇電影獎最佳男主角 and 評論家選擇電影獎最佳攝影 for Lubezki.[120]
湯姆·哈迪 won the London Film Critics' Circle Award for British Actor of the Year award at the 伦敦影评人协会 and was runner-up for 达拉斯—沃斯堡影评人协会奖最佳男配角 at 达拉斯—沃斯堡影评人协会.[121][122] DiCaprio was awarded 美国演员工会奖最佳男主角 award at 第22屆美國演員工會獎, and Iñárritu received Directors Guild of America Award for Outstanding Directing – Feature Film award at 第68屆美國導演工會獎.[123] It received five 第20屆衛星獎 nominations, winning the award of 衛星獎最佳男主角 for DiCaprio.[124]
On May 2, 2016, 時代雜誌 magazine included both DiCaprio and Iñárritu in its issue of the 100 Most Influential People of 2015, with a cover photograph of DiCaprio on the magazine. 約翰·福布斯·凱瑞, then the US Secretary of State, wrote a short testimonial to DiCaprio for this issue of Time stating that DiCaprio's dedication drives him to succeed and "that's how he takes himself back 200 years to create an Oscar-winning, bear-brawling, powerhouse performance in The Revenant."[125]
See also
- Survival film
- Man in the Wilderness, a 1971 西部作品 film loosely based on the Hugh Glass story
- Lord Grizzly, a 1954 biographical novel by Frederick Manfred, about the Hugh Glass story
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External links
- 官方网站
- A World Unseen (A documentary about The Revenant) at YouTube
- 互联网电影数据库(IMDb)上《EzrealChen/備用沙盒108》的资料(英文)
- AllMovie上《EzrealChen/備用沙盒108》的资料(英文)
- TCM电影资料库上《EzrealChen/備用沙盒108》的资料(英文)
- The Revenant at History vs. Hollywood
- The Revenant at the Movie Review Query Engine
- The Revenant at 爛番茄