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原始檔案 (4,356 × 2,280 像素,檔案大小:5.95 MB,MIME 類型:image/jpeg


描述
English: Photograph of mural "Sorting the Mail" by Reginald Marsh at the Ariel Rios Federal Building, Washington, D.C.
Notes:
  • Date: 1936; dimensions: 6' 7" x 12' 6".
  • Photographed as part of an assignment for the General Services Administration.
  • Title, date and keywords from information provided by the photographer.
  • Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
  • Gift; Carol M. Highsmith; 2009; (DLC/PP-2009:083).
  • Forms part of: Photographs in the Carol M. Highsmith Archive.

More information at The Living New Deal
Mural information from the General Services Administration:

Like Alfred D. Crimi, whose murals are located on the same floor of the William Jefferson Clinton Federal Building, Marsh chose to depict the activities of the urban mailroom. Also like Crimi, Marsh made on-site preparatory sketches. He studied the railway mail service located under old Penn Station in New York, as well as the New York post office department building, observing the modern machinery, interviewing postal workers, and making sketches as they unloaded and transferred mail cargo. Marsh's depiction differs, though, from the easy interaction between men and machines portrayed in Crimi's mural, as well as the staid calm of the railway mailroom shown in a sketch for an unrealized mural by Regionalist artist Thomas Hart Benton. In contrast to these, Marsh's murals bring to life the frenzied energy of workers and their machines in what the New York Times called a "brilliant orchestration of labyrinthine structural rhythms."
In the mural's lower portion, muscular men lift and drag large bags of mail. Their varied skin tones and apparel indicate a diverse work force, and their physiques convey heroic strength and power. The upper portion of the fresco—rendered in shades of green, black, and white—showcases the machinery that moves the mail in all directions. Marsh's intricate composition and confident technique capture both the mechanization of systems and the importance of workers.
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來源
本圖像可以從美國國會圖書館的圖片與照片組獲得,其編號為highsm.24949
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作者
卡露·夏絲密芙  (1946–)  wikidata:Q5044454
 
卡露·夏絲密芙
別名

出生名:Carol Louise McKinney

藝名:Carol M. Highsmith
Carol McKinney Highsmith
描述 美國攝影師以及建築攝影師
出生日期 1946年5月18日 在維基數據編輯
出生地點 Leaksville, North Carolina
作品年代 1981-
創作地點
權威檔案
creator QS:P170,Q5044454
授權許可
(重用此檔案)
Public domain This work is from the Carol M. Highsmith Archive collection at the Library of Congress. According to the library, there are no known copyright restrictions on the use of this work.
Carol M. Highsmith has stipulated that her photographs are in the public domain. Photographs of sculpture or other works of art may be restricted by the copyright of the artist; see Commons:FOP US#Artworks and sculptures for more information.

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目前2015年6月9日 (二) 14:18於 2015年6月9日 (二) 14:18 版本的縮圖4,356 × 2,280(5.95 MB)WFinch{{Information |Description ={{en|1=Photograph of mural "Sorting the Mail" by Reginald Marsh at the Ariel Rios Federal Building, Washington, D.C.<br>Notes: * Date: 1936; dimensions: 6' 7" x 12' 6". * Photographed as part of an assignment for the Gene...

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