梵谷:Man Digging in the Orchard
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作家 |
梵谷
(1853–1890) |
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別名 |
Vincent Willem van Gogh |
描述 |
荷蘭畫家、畫家和版畫家 |
出生/逝世日期 |
1853年3月30日 |
1890年7月29日 |
出生/逝世地點 |
津德爾特 |
瓦茲河畔歐韋爾 |
作品年代 |
約1880年~1890年7月間 date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1880-00-00T00:00:00Z/9,P1326,+1890-07-00T00:00:00Z/10,P1480,Q5727902 |
創作地點 |
荷蘭 ( Etten, 海牙, Nuenen, …, 在1886年之前 date QS:P,+1886-00-00T00:00:00Z/7,P1326,+1886-00-00T00:00:00Z/9 ), 巴黎 (1886年–1887年), 亞爾 (1888年–1889年), 普羅旺斯地區聖雷米 (1889年–1890年), 瓦茲河畔歐韋爾 (1890) |
權威檔案 |
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artist QS:P170,Q5582 aka thr best artic in the would |
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標題 |
English: Man Digging in the Orchard |
物體類型 |
平版印刷品 |
描述 |
De La Faille lists four known impressions, David Brooks lists five. De La Faille's list is:
- I Van Gogh Museum inv nr F16591/I
- II Amerongen, Mrs. d'Audretsch-Krop
- III Stuttgart, Staatsgalerie [acquired 1954], inv nr GVL 32[A54/1529]
- IV Formerly Auvers, Paul Gachet [according to Vanbeselaere 1937]
- The fifth impression appears to be the one in the British Museum here( illustrated below).
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日期 |
1883年7月 date QS:P571,+1883-07-00T00:00:00Z/10 |
表現方法 |
石板印刷 medium QS:P186,Q15123870 , pen and autographic ink |
藏於 |
Private collection institution QS:P195,Q768717 |
登錄號 |
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物件歷史 |
- I: Mrs. J. van Gogh-Bonger, Amsterdam; V.W. van Gogh, Laren; Van Gogh Museum
- II: Ph. de Kanter, Delft; H.E. d'Audretsch, Amerongen; Amerongen, Mrs. D'Audretsch-Krop [R 1968]
- III C.M. van Gogh Art Gallery, Amsterdam; Vincent van Gogh Art Gallery, [Amsterdam]; De Bois Art Gallery, Haarlem; W.F. Arntz; Sale Stuttgart [Stuttgarter Kunstkabinett] 24 November 1953, nr 1082; Stutgartt, Staatsgalerie [acquired 1954], in nr GVL 32[A 54/1529] (nb. pedigree based on 24 November 1953 sale catalogue, nr 1082]
- IV Proof formerly in the collection of Paul Gachet; Bibliothèque nationale, Cabinet des Estampes, Paris (?)
- The British Museum impression is noted on the museum page at purchased from the De Bois Art Gallery, Haarlem, in 1929 by Henry Van den Bergh, who donated it to the BM via the Art Fund (as NACF).
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展覽史 |
III: 1969 Stuttgart, 49 |
題字 |
I: Annotated on the back: Imprimé / contient 2 f[euilles?] estampes imprimés. Monsieur Theo van Gogh, 25 Rue de Laval, Paris. |
備註 |
Catalogues raisonnés:
- F1659: Faille, Jacob Baart de la (1970年) [1928年] 《 The Works of Vincent van Gogh. His Paintings and Drawings》、阿姆斯特丹: J.M. Meulenhoff、no. 1659 .
- JH379 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, no. 379.
- In June 1883 Vincent got permission to sketch in the Old Men’s and Women’s Home at Om en Bij (52°04′19″N 4°18′24″E / 52.071889°N 4.306697°E / 52.071889; 4.306697) (now redeveloped) where the previous September he had found his model Adrianus Jacobus Zuyderland. Men residents were known as "orphan men". The original drawing on which this lithograph is based is lost, although Vincent later did a letter sketch from memory (letter 362). He used Zuyderland as a model for the lithograph.
- Letters
- Letter 351 to Theo van Gogh. The Hague, on or about Thursday, 7 June 1883. Vincent van Gogh: The Letters. Van Gogh Museum. "Today I asked for permission to draw sketches in the old men’s and old women’s home, namely the men’s ward, the women’s ward and the garden. I was there today. From the window I sketched an old gardener by a crooked apple tree, and the workshop of the home’s carpenter, where I drank tea with two orphan men."
- Letter 362 to Theo van Gogh, The Hague, on or about Friday, 13 July 1883. Vincent van Gogh: The Letters. Van Gogh Museum. "Had the Orphan man [Zuyderland] again today for something that suddenly occurred to me and that I wanted to press ahead with before beginning on something else. I must tell you that I’ve been to the orphanage again after all on a visiting day. That was when I saw the gardener and drew him from the window. Well, I didn’t want to let that go, and now I’ve got it down in roughly this form, as far as I can remember [sketch annexed]."
- Letter 363 to Theo van Gogh, The Hague, Sunday, 22 July 1883. Vincent van Gogh: The Letters. Van Gogh Museum. "You say that the effect of the autographs [prints of the lithographs drawn in autographic ink] is rather meagre. That doesn’t surprise me in the least when I consider that someone’s physical state influences his work, and my life is too dry and too meagre. Honestly, Theo, for the sake of the work we ought to have eaten a little better, but we couldn’t afford it and things will stay like that if I don’t get a little more leeway by one means or another."
- Letter 365 to Theo van Gogh, The Hague, Monday, 23 July 188. Vincent van Gogh: The Letters. Van Gogh Museum. "What I wrote to you about (and about which you also wrote, our thoughts have crossed again), the meagreness or what they call the dryness is what must be overcome each day anew, and mustn’t become a chronic defect.
See, again I find it remarkable that you and I really seem to have thought the same thing again, for when you wrote just a brief word about it, that’s what immediately catches the eye in the two autographs. And in the photos too."
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參考文獻 |
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來源/攝影者 |
Masterworks: Van Gogh, by Janice Anderson. 2008. Pulteney Press, Bath. |
授權許可 (重用此檔案) |
此為如實地拍攝平面藝術品的相片複製本。原作位於 公有領域,是因下列原因:
Public domainPublic domainfalsefalse
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https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」 因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制; 參見再利用PD-Art照片以獲得進一步資訊。
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其他版本 |
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